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Behind The Art: Oliver Okolo

  • Writer: Robert Buchanan
    Robert Buchanan
  • 3 days ago
  • 3 min read

There’s something striking about the way Oliver Okolo talks about painting.

Not as a job. Not even as a passion, in the traditional sense.

But as a place.


A place where everything else quiets down.



Born in rural Nigeria in 1992, Oliver’s story doesn’t begin in a studio, it begins in imagination. As a child, he dreamt of becoming both a basketball player and an artist, merging the two by drawing comic books of himself as the star.

Even then, the instinct was there.To create. To escape. To become something beyond the present moment.


That instinct never really left.


A Practice Built on Duality

Now based in Folkestone, Kent, Oliver’s work sits in a space between worlds.

His portraits are immediately recognisable, hyper-real, intimate charcoal renderings of faces that feel almost photographic. But step back, and the rest of the canvas loosens. Bodies dissolve into expressive brushstrokes, backgrounds become abstract, unfinished, open.

It’s a contrast that feels intentional.


A balance between control and release. Precision and freedom. Stillness and movement.

Inspired by the Old Masters yet rooted in contemporary African storytelling, Oliver describes his style as “Classical Contemporalism” a merging of past and present, tradition and lived experience.


But more than anything, it’s about what sits beneath the surface.

Because in his work, the eyes hold everything.




“Art Is That Box”

When we asked Oliver what urged him to become an artist, his answer wasn’t fixed.

It couldn’t be.

Because, as he explains, the reason is always changing.

Sometimes it comes from happiness. Sometimes from the need to be heard. Sometimes from something heavier, the weight of responsibility, of fatherhood, of trying to build a life and leave a mark at the same time.

And then he said something that stayed with us:

Art is the only place I don’t get to think.

Outside of the studio, his mind is constantly moving, thinking about his children, relationships, money, the future. Like so many people, it never really switches off.

But painting gives him something rare.

A way to contain it all.


“You know how they say to put everything into a box… art is that box.”

It’s not just a creative outlet. It’s a form of stillness.


Looking Closer

What makes Oliver’s work so powerful isn’t just the technique, or even the subject matter.

It’s the feeling that there’s always more beneath the surface.

Each portrait invites you to slow down. To look again. To sit with it a little longer than you normally would.

Because the story isn’t handed to you.

It’s held, quietly in the expression, the gaze, the space between what’s finished and what’s left undone.



Following Curiosity

When it comes to advice, Oliver keeps it simple, not just for other artists, but as something he reminds himself of too.

Follow your curiosity.


Because curiosity gives you permission.

Permission to get it wrong.To make work that doesn’t quite land.To create something uncertain, unfinished, even “ugly.”


And in that space, without pressure, without perfection, direction starts to reveal itself.

It’s a way of working that feels honest. Open. Unrestricted.

And maybe that’s where the most interesting work begins.



Watch The Full Interview

This is just a glimpse into Oliver’s world, a small window into the way he thinks, creates, and sees.


To hear more in his own words, and to step inside the conversation, you can watch the full Behind The Art interview over on our Instagram.



 
 
 

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